KC&A Blog


David Castellucci - The 2017 Natural Stone Institute's Person of the Year 

 Congratulations to David Castellucci

for the prestigious honor of being named the

2017 Person of the Year by The Natural Stone Institute - Click the link below to view the video

 The Natural Stone Institute's 2017 Person of the Year


David Castellucci - 2016 President of the Marble Institute of America


David A. Castellucci


David A. Castellucci, our Director of Business Development here at KC&A, has taken on an additional role in 2016 as President of The Marble Institute of America. The MIA is a worldwide organization that has been the authoritative source on all aspects relating to natural stone products. MIA members are stone quarriers, fabricators and installers of natural stone for commercial and residential use. Their members are among the finest artisans in world. David was also the past Vice President in 2015. We wish him well in his new role. 


Just Because A Designer Can Draw It, Doesn’t Mean It’s a Good Idea: The challenges of innovative interior stone design

The process of fabricating and installing stone in commercial interiors has become very difficult. Designers and architects often ask us to do something with stone that we should not be doing. That comes from a lack of experience on the part of the design community.

When the economic crunch hit the construction industry, starting in 2008, most of the large, old firms were forced to lay off employees, in favor of new hires at a much lower pay scale.  The people with experience didn’t just gracefully bow out of the industry.  They were in one day and out the next.  In stepped the talented, but inexperienced people, especially in the use of rudimentary materials like stone.  Consequently, they're coming up with designs of things that we really shouldn't be doing.  

Do we really need to have 3/8ths of-an-inch strips of marble being laid up onto a wall?  That’s a concept worth discussing, but one that needs the input of the fabricator and installer to make sure it will function and last.

Then there are things we shouldn’t even consider doing.  A lot has to do with back lighting stone, mounting stone on glass so it can be backlit.  The problem? You can't use anchors!

There are all sorts of ideas fraught with complications.  We are being asked to break pieces because the design calls for narrow and long planks of stones. We've run into quite a few problems with that one. Now, we don’t really say, “no, we can't do that,” but, what we do say, “I think it would be much better if we did it this way. “ This is one example of how mock-ups, on or off-site, help to show people how their idea is likely to come out. It might be possible to do it for one piece of stone, but we're not going to be able to do it for a whole interior lobby with thousands of square feet.

We've learned through our years of experience working with architects and designers that stone is just one of those classic materials that was always meant to be used in a certain way. Now we have to rethink how the stone is being used, where, in what sizes and in all kinds of very complex configurations. In many ways, the interior has become almost as complex as the exterior.  For example, we never had to take into account wind loading or seismic conditions for building lobbies.  Now, practically every building we work in requires design calculations for the interior lobby stone as well as the exterior. That’s a very complex issue, but flash and pizazz is what separates the commercial interiors, so architects and designers who are more creative are the ones attracting clients and tenants to their buildings.  

And so, the tension between us will always remain. We just hope they’ll continue taking our advice, for both our sakes—and the client’s.


Our Stone at the Massachusetts College of Art

Inspired by Gustav Klimt's The Tree of Life, the new environmentally friendly residence hall will be part architectural achievement, part work of art

Our stone was used to complete the new Residence Hall for the Massachusetts College of Art on Huntington Avenue, eclipsing the Tower Building across the street as the signature building on campus. With 493 beds, this building doubles MassArt's housing capacity and guarantees all freshmen and sophomores an on-campus home.

Designed with extensive student involvement, the hall will merge sustainable, practical, and aesthetic elements that encourage interaction and enhance the college experience. When students enter, they'll be greeted by a café, a student lounge, and an art gallery that will showcase alumni work. On the second floor they'll find a state-of-the-art health center to be shared with neighboring colleges and, on the third floor, a fitness room, laundry facilities, and common kitchen. On alternating floors above, in spacious corner rooms featuring floor-to-ceiling windows, students will share lounges and work studios. And there will be plenty of seating coves parceled by beautiful landscaping just outside the building, some large enough to accommodate a class on those warm Boston days.